They belong to different generations, so much so that they could be father and son. Two Britons have set up an exhibition in Rome under the same roof, in the context of a spate of autumn-winter events at Macro.
CONTEMPORARY GRAND TOUR
Roma, Macro
The body, this unknown. In his research spanning a period of 30 years Antony Gormley (London 1950) has never stopped looking into the relationship between the human body and the surrounding space, moving from drawing to sculpture. If, at first, he used to favour the ironic representation of man as controlled from within by a little puppet (Mansion, 1982) or shapd like a sort of leafy shrub (Untitled, 1983), in time he proceeded to create abstract forms in the attempt to establish a connection between the human body and other subjects.










